"in an interplay" is correct and usable in written English.
It can be used to describe a situation in which two things interact with each other to create a particular outcome. For example, "The interplay between creativity and technical knowledge resulted in an innovative device."
Christians, they argued, would best encounter the "real Jesus" in an interplay among the authorized texts, history and present experience.
It won't be a chronological pacing of his work but everything mixed up in an interplay: it will be tremendously dynamic".
(Chinen) TIM BERNE'S PARAPHRASE (Monday) This trio engages in an interplay that is unscripted but hardly formless; Mr. Berne, an alto saxophonist, has creative partners in Drew Gress, bassist, and Tom Rainey, drummer.
Arguably, in such real-life processes, incoming visual information about object features is compared with scene-congruent representations evoked by the scene gist, in an interplay between the abovementioned areas.
(Nate Chinen) TIM BERNE'S PARAPHRASE (Thursday) This threesome, led by the alto saxophonist Tim Berne, engages in an interplay that's unscripted but hardly formless; as on the brand-new live album "Pre-emptive Denial" (Screwgun), Mr. Berne has restlessly creative partners in Drew Gress, a bassist, and Tom Rainey, a drummer.
(Nate Chinen) TIM BERNE'S PARAPHRASE (Thursday) This trio, led by the alto saxophonist Tim Berne, engages in an interplay that's unscripted but hardly formless; as on the recent live album "Pre-emptive Denial" (Screwgun), Mr. Berne has restlessly creative companions in Drew Gress on bass and Tom Rainey on drums.
As in the first example, note that in riboswitches an interplay between the structural dynamics and the genus should be observed.
In lockstep, an interplay of light and shadow creeps up on the giant screen of the theatre whose scale, synchronized with the sonic intensity, seems to evolve during the show.
In other cases, an interplay between the two components is observed, which may result in simple periodic structures.
The drilling of an in-gauge hole is an interplay of two factors: uncontrollable and controllable.
These results underscore the importance of viewing DC development in vivo, as an interplay between distinct lineages and a maturational dependence on specific microenvironmental signals.
