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With Cristina Altamura as piano soloist, the orchestra, led by Karel Mark Chicon, will perform the Piano Concerto No. 1 in C, op. 15 and the Symphony No. 7 in A, op.
There are champions of Brahms's relatively youthful Serenade in A (Op. 16), and with good reason.
He used that same technique to wonderful effect in Dvorak's Quintet in A (Op. 81).
The Vermeer Quartet began the program with Schumann's String Quartet in A (Op. 41, No. 3).
The program opened with a messy rendition of the Violin Sonata No. 2 in A (Op. 100).
The concert concluded with Schumann's String Quartet in A (Op. 41, No. 3), also written in 1842.
The program also includes Beethoven's String Quartet in A (Op. 18, No.5) and Smetana's "In My Life" Quartet.
The Sonata in A (Op. 69), from his heroic middle period, bracingly mixes Olympian breadth of expression and restless ingenuity.
As an encore Mr. Thibaudet gave a lovely account of Brahms's Intermezzo in A (Op. 118, No. 2).
The instrumental music of Albinoni has fared better; he was represented here with his Sonata in A (Op. 2, No. 5).
Piano Sonata No. 6 in A, Op. 82, sonata for solo piano by Sergey Prokofiev, known for its passages of electric fury alternating with flowing lyricism.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com