The word 'impresario' is correct and commonly used in written English.
It is a noun that refers to a person who organizes and often finances concerts, plays, or operas. Example: The famous impresario was known for his ability to bring together talented artists and create spectacular performances that were loved by audiences worldwide.
Mirvish cemented his status as cultural hero by becoming a theatre impresario, refurbishing the Royal Alexandra Theatre in 1963 (another supposedly unviable building slated for the wrecking ball) and the Old Vic in London, which went on to enjoy a golden age, and for which Mirvish was awarded a CBE.
After a much-reduced second season, Pleasant was dismissed, his plans for a "living museum of dance" (with Russian, American and British "wings", and units for black and Hispanic dances) were ditched, and impresario Sol Hurok toured the company in a more traditional, Russianised guise.
"No single theory explains why this is happening," said Martínez, a Barcelona-based impresario whose recent successes include a run of Edward Albee's 1962 play Who's Afraid of Virginia Woolf?
In style and manner, Darling was not most people's idea of a charismatic figurehead, especially when cast against Alex Salmond's cheery impresario act.
Facebook Twitter Google plus Share Share this post Facebook Twitter Google plus close 11.20pm BST23 20 Our polling impresario Harry Enten lays out three possible pathways for Mitt Romney to win the electoral college through the battleground states: So, how does Romney get over the top?
Danilian is at once an impresario, a packager of ballet stars, and an agent.
A man has appeared in court charged with falsely accusing the pop impresario Louis Walsh of indecent assault.
As a theatre impresario he was a washout, but in England he joined Woodfall Films, the production outfit of Tony Richardson and John Osborne, then intent upon replicating on the screen their revolutionary achievements in West End theatre.
And given the control that the impresario now exerts over the Mikhailovsky, one might wonder if Kekhman, the consummate player, has himself been played.
Looking for an impresario who could bring the Mikhailovsky to the United States, Kekhman was directed to the Manhattan offices of Sergei Danilian.
As Mr Dabrowski, who remains Poland's de facto cultural impresario, put it to Viviane Reding, the culture commissioner at the time: "People with access to culture work better and have a better family life than those who don't".
