Sentence examples for implied narratives from inspiring English sources

The result is a series of implied narratives that are as enthralling as the child's imagination chooses them to be.

He utilizes the supersize scale and saturated color of conceptualism, and his odd, implied narratives strongly recall the work of artists like Jeff Wall.

The best induce us to pore over them, exploring their psychology as much as their form, their implied narratives as much as their brooding blacks or parsimonious whites, their connections to the history of art as much as their documentary realism.

This is a book whose implied narratives beguile, whose uncompromisingly eclectic images dazzle, and whose spiritual core commands the existential act of Attention; you must purchase this book, and read it, and treasure it, for a work this perfect comes along but rarely.

"A lot of people like Hopper for his implied narratives, the suggestion of a story about the person alone in the diner, but that's not of particular interest to me," Mr. Shore said.

"I try to keep conceptual implied narratives at arm's length and only introduce elements that support the feelings and emotions I wish to evoke," he says.

Later nudes move from darkness to light, from implied narrative to abstraction, retaining a sense of the surreal.

They include the heart-melting "Ia Orana Maria" ("Hail Mary") with its Polynesian Madonna and Child; the startling vision of sexual fear titled "Manao Tupapau" ("Spirit of the Dead Watching"); and the enigmatic, half-abstract "In the Vanilla Grove, Man and Horse," with it's implied narrative of a mystical tryst.

I mean, there's not quite enough gameplay variety or implied narrative here to support greater length than it has, so it's about as long as it can be (the last level has to introduce a gimmick, a lantern you drag around to light up the area and short out electrical circuits, to avoid feeling repetitive), but even so, at the end I was left wanting more.

In "World's Fair, New York City" — black and white, from 1964 — Winogrand captured two men and six women seated on a park bench, each contorted into an expressive pose, the physical links between them implying narratives, but never confirming them.

There are lots of narratives, implied or spelled out.