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A blonde outfitted in a sweater as tight as any worn by Lana Turner, she attracts the implacable interest of the warrior Burt Lancaster, but then, unwilling to be taken for granted, she angrily pulls away.
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Volatility, after all, is a measure of health in a free market, and the elementary algebra of Jin's narrative pace — as slow, implacable and steady as interest accumulating in a savings account — implicitly promises that his dimes and quarters of mundane description and petty conflict will result in a full piggy bank for all.
Kramer's implacable defense of those interests has not flagged in the years since he left the Times for the New York Observer.
In "The Contentious French" (Belknap, 1986) he plowed through four centuries of history to describe the French as ordinary people fighting for their interests against implacable state power and advancing capitalism.
Everything seems to conspire against the idea: an implacable opposition with little if any real interest in collaboration, a news media saturated with triviality and conflict, a culture that demands solutions yesterday, a societal cynicism that holds leadership in low regard.
Mr. Whitaker, whose implacable presence anchors the film, has long been interested in Eastern philosophy and spent many hours discussing his character with Mr. Jarmusch.
Lendl and Murray dismiss media interest in the fact the coaches were once implacable enemies on the court.
In this, I think, the casting has given us an ideal representative; for we, too, would be facially immobile at the prospect of forever defending a prop wall against an infinitude of implacable digital effects with no letup in the lack of interest.
She showed little interest in publication, but one book appeared through the efforts of others – Implacable Art (2000) – as well as five locally produced pamphlets.
They are remarkable, and occasionally frustrating, for their implacable evenness of sympathy and lack of a unifying consciousness often, just as a character's narrative interest has been established, Taylor's focus will swing away, almost perversely, to a new point of view.
They are remarkable, and occasionally frustrating, for their implacable evenness of sympathy and lack of a unifying consciousness — often, just as a character's narrative interest has been established, Taylor's focus will swing away, almost perversely, to a new point of view.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com