Sentence examples for impeccably realized from inspiring English sources
Simple yet impeccably realized, "The Studio" is a fine refuge from Artomatic's intentional chaos.
In "Paths of Glory," he gave us human disaster, impeccably realized.
This impeccably realized show — whose first-rate creative team includes Palmer Hefferan (sound), Junghyun Georgia Lee (the funky fairy-tale costumes) and Annie-B Parson (choreography) — gives us story and subtext in one breath.
Though it helps heal the psychic scars left by the likes of The Polar Express, for all of its impeccably realized environments Tintin still can't solve for CGI's dead-eyed soullessness.
For seamless ensemble work, there are, in two entirely different keys, Complicite's "Light" -- in which the dazzlingly inventive creators of "The Street of Crocodiles" shape piquant comic drama from a wayward narrative of the plague years -- and the Donmar Warehouse's impeccably realized production of "To the Green Fields Beyond," a new play by Nick Whitby.
The action is set in a steambath in the afterlife – an appropriately steamy milieu impeccably realized by scenic designer Gary Guidinger, lighting designer Chu-Hsuan Chang and sound designer Christopher Moscatiello.
As realized, impeccably, by the director Les Waters and a talented team of actors and designers for the Yale Repertory Theater, Ms. Ruhl's quirky contemporary meditation on a much-meditated-upon story has some of the subliminal potency of music, the head-scratching surprise of a modernist poem and the cockeyed allure of a surrealist painting.
The center's director, Rosie Lee Hooks, is at pains to welcome our busload of impeccably turned out ladies realizing the fund raising potential (wives of boldface names studded the tony group), reminding us that today's Watts has "loving, caring families" and is no longer the Watts of our riot-dated imaginations.
Impeccably played by Emayatzy Corinealdi (who was just as good in Ava Duvernay's "Middle of Nowhere"), Taylor is, besides Davis, the only fully realized character in the film, and the pleasures and terrors of their relationship are never without interest.
In a 1975 letter to a friend (quoted in Joseph's book on Conrad), the composer/film-maker admitted to an occasional fear regarding the reception of his works, writing: "Though I find my own oeuvre impeccably consistent and directed, its diversity (I realize) obscures the plane of this consistency from any but the most careful analyst".
