The phrase 'immersive atmosphere' is correct and can be used in written English.
This phrase can be used to describe an environment that is so engaging that it draws a person in and focuses their attention on what is happening around them. For example, "The theatre production had an immersive atmosphere that made the viewers feel as if they were a part of the story."
Charlie Corcoran's set and Michael Gottlieb's mercurial lighting help create an immersive atmosphere in this taut production.
Though Nichols had a budget of only $1.6 million (which gave his snowstorm a bags-of-flour quality), he strove to emulate the immersive atmosphere of the films he loved growing up: "The candid ones that gave you great characters, a great sonic palette, and awesome laughs.
It's not a planned, immersive atmosphere; it's often improvised, a solo or part of a solo, and often boils down to a game of chicken between musician and listener: how far can I go with this and keep you on the hook?
At the inauguration of the new light itinerary for nocturnal visitors, the Director General of the Archaeological Park of Pompeii, Massimo Osanna, spoke about the new LED lights and a revamp of the audio system along the path which is meant to create a more immersive atmosphere for visitors.
Some theme park attractions try to create an immersive atmosphere that Lewison said could be ruined by an ad or promotional sign.
Not only is it large, there is so much going on in it, too, and Divinity does an excellent job of creating one hell of an immersive atmosphere that you can almost feel like a part of.
Mr. Kagan said he was aiming for "a fully immersive, party atmosphere experience similar to 'Sleep No More,'" the hallucinatory mash-up of "Macbeth" and Hitchcock.
The group say they wanted to detach the virtual environment from the screen and create an "immersive 'data atmosphere.'".
The book's contribution is to ask how Wagner's conception of sound as immersive, multi-dimensional atmosphere has shaped philosophies of sound and communicative media from Nietzsche and Adorno to Kittler, Sloterdijk, and John Durham Peters.
In the past we've covered their Musical Laser Forest and Flying Quadrotor, works that brought audiences into an immersive and haunting atmosphere.
This is an edgy, gimmicky, nouveau musical wrapped in a gaudily immersive, dinner theater atmosphere; "an electropop opera ripped from a slice of War and Peace," in their own words.
