Sentence examples for imaginative materials from inspiring English sources

"imaginative materials" is correct and usable in written English.
It could be used to refer to creative materials used to inspire new ideas, such as books, art supplies, etc. For example, "The teacher provided students with a range of imaginative materials to spark creativity."

Exact(2)

These imaginative materials took the familiar story of American sportswear fast forward.

But since McMillan's success with his imaginative materials seems particularly predicated on his poetic voice, it is worth noting that his unusual blend of influences – Mark Doty, John Riley and Geoff Hattersley – makes Physical one of the most distinctively voiced debuts since Simon Armitage's Zoom! in 1989.

Similar(58)

Now the site of a bank, it once furnished the imaginative material for "The Iceman Cometh".

It was characterized by wildly imaginative material (in which the chorus might represent birds, frogs, wasps, or clouds) that was blended with a grotesque, vulgar, and witty tone, which could still accommodate poetry of great lyrical beauty.

Woodhull, a free love advocate, printed innuendo about Beecher, and began to woo Tilton, convincing him to write a book of her life story from imaginative material that she supplied.

Storytelling: Develop skills in presenting imaginative material of the narrative form.

This show is trying to reassemble the imaginative visual materials of California into some coherence.

African mirlitons can be most imaginative: standard material is a spider's egg membrane, and this may be added to apertures pierced in the bottom of xylophone resonators or applied to one end of an independent cane tube that is inserted into a nostril, as among the Fang of Gabon and its neighbours.

Watts considered the arrangement the "most imaginative" on Material World and described the recording as "a fairground sound, using harpsichord and couched in waltz-time".

Partly I'm curious about the clever, silent imaging of sound, and partly I'm intrigued by the artist's imaginative juxtaposition of materials.

This tension, between the requirements of authenticity and the necessity for an imaginative ordering of materials to achieve lifelikeness, is perhaps best exemplified in the biographical problem of time.

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