Sentence examples for imaginative effect from inspiring English sources

A similar approach can be applied to imaginative effect in a potato tatin, where new potatoes replace the apples, and are layered with a salty element or two such as feta, olives or anchovies.

On the rare occasions when Buirski does pair interviewees' discussions with specifically related images, even with archival footage as when Corbitt talks of his father, Benny Corbitt, on his porch, or of the attackers' habit of hanging out on the steps of the town bank, and Buirski shows archival photos of it the imaginative effect is mighty.

Artists have interpreted the human face to imaginative effect.

Her production has a powerful, imaginative effect - seductive and truly magical.

Like the underrated horror film "Poltergeist 3," it compensates for its low budget with imaginative effects.

Using impassioned texts and a variety of imaginative effects of articulation, his choral writing is Latin in its warmth and at the same time technically complex.

Janet Maslin from The New York Times enjoyed The Frighteners, but "walked out the theater with mixed emotions," she commented that "Peter Jackson deserves more enthusiasm for expert, imaginative effects than for his live actors anyhow.

The film employs a full range of imaginative shock effects, like when the arm of a dangling skeleton swings out from the screen, as if to grab the heroine (Phyllis Kirk).

Above all, there are Bouloukos's own scenes, which include a video of Royce that goes viral and a cosmic-metaphysical fantasy that features ultra-low-budget but highly imaginative special effects, which, with their simple but fascinating blend of motion and abstraction, offer more giddy delight and troubling wonder than anything in the billionaire boys' club of most recent superhero movies.

Similarly, Eduardo Garrido's "Homenaje a Leo Brouwer" — a tribute to that Cuban guitarist and composer, with whom Mr. Garrido studied — is a two-movement work laced with Brouwerisms: themes that alternate between modernist angularity and tunes with Cuban folk roots, slightly brash harmonies, imaginative textural effects and rhythmic slapping of the guitar's strings.

William Arnold of the Seattle Post-Intelligencer gave the film a B minus and wrote, "It's a decent enough stab at being what the old movie was to its time, following the same basic plot, full of respectful references to its model, updated with a gallery of fairly imaginative special effects".