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Even more, it's a matter of tone: the creation not of an imaginary world onscreen but of an actual, unified environment that encompasses what's on camera and what's behind the camera.
The giant puppetry (with CGI enhancement) is great, and the imaginary world every bit as "real" as the fantasy environments of Terry Gilliam's comparable Time Bandits.
"After years of creating these environments," he says, "I had a big desire to truly enter into my sets — into my imaginary world".
Imaginary characters in an imaginary world.
Then you enter the imaginary world.
You are entering an imaginary world.
He opened up this incredible, imaginary world.
It was like an imaginary world".
Eventually, his imaginary world begins to feel empty.
As the men built the imaginary world, the women were nowhere to be seen.
The ingenuity of the coding made the game's imaginary world, called Hyrule, seem boundless.
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