The phrase "imaginary vision" is correct and usable in written English.
It can be used to describe a vision or idea that is not based in reality, often in creative or artistic contexts.
Example: "The artist's work was inspired by an imaginary vision of a utopian world filled with vibrant colors and fantastical creatures."
Alternatives: "fantasy vision" or "illusory vision".
"This imaginary vision of the East created by the West has returned to the region that inspired it," the museum director, Nazan Olcer, wrote in the show's catalog.
By Mary Mian The New Yorker, August 4 , 1945P. 18 About an imaginary vision appearing to a young girl on the moors of Creuse.
The New Yorker, August 4 , 1945P. 18 About an imaginary vision appearing to a young girl on the moors of Creuse.
Even more derisive, Stéphane Calais turned down the invitation to travel to India thus ensuring that his drawings retained all the exotic spice of popular fiction, deliberately conjuring up a wholly imaginary vision of India.
The show opens with what I consider its very best painting, Edward Moran's "Henry Hudson Entering New York" (1892), an imaginary vision, created nearly 300 years after the event, of the dramatic moment in which an American Indian spots the Half Moon entering New York Harbor.
But in the end, the practical knowledge of the servants will prove much more powerful and effective compared to the lofty contemplations of the Masters who, instead of really interacting with and transforming nature, rather develop a worldview, i.e. an imaginary vision of nature (as a spherical, harmonious whole, a κόσμος).
They were concerned not with imaginary visions but with documenting the history of their tribes.
Imaginaries and Visions in the Age of Artificial Intelligence' runs at MAXXI, Rome until 24 February 2019.
- the technosocial imaginaries and visions driving and underpinning technology innovation and implementation of Syngenta have been de-constructed and scrutinized, not only per se but also in relation to dominant sociopolitical imaginaries.
A social study of epigenetics therefore should start from a reflexive analysis of the way in which epigenetic knowledge is becoming "a social phenomenon in itself" (Landecker and Panofsky, 2013), including the imaginaries and visions that are catalyzing this transition, and that we will refer to here as epigenetic imagination.
In many ways the Carry Ons are like the Wodehouse novels: they produce an imaginary and coherent vision of an England that never existed but in which we can all feel at home.
