Sentence examples for imaginary by from inspiring English sources
The phrase "imaginary by" is not correct and cannot be used in written English
It is unclear what the intended meaning of this phrase is and it is not a commonly used phrase in standard English grammar. Instead, you could use the words "made up by" or "fictitious by" to convey a similar meaning. Example: The story was made up by the author's vivid imagination.
Chris Priestly, author of Anything That Isn't This My book of the year would probably be The Imaginary by A F Harold and Emily Gravett.
Following Max Weber, Taylor uses the term, "disenchantment" to describe the dismantling of this social imaginary, by science and the Enlightenment, industrialisation and so on.
As he tests his voice, he pantomimes a carefree walk and waves to imaginary passers-by.
(Honorable Mention: By Mouse and Frog by Deborah Freedman Croww Made a Friend by Margaret Peot; Crunch by Carolina Rabei; Imaginary Fred by Eoin Colfer, ill. Oliver Jeffers; Juna's Jar by Jane Bahk, ill. Felicia Hoshino; Lenny & Lucy by Philip C. Stead, ill.
THE IMAGINARY INVALID By Molière; directed by Claude Stratz; sets and costumes by Ezio Toffolutti; lighting by Jean-Philippe Roy; original music by Marc-Olivier Dupin; choreography by Sophie Mayer; makeup, wigs and prosthesis designed by Kuno Schlegelmilch; English titles by Mike Sens; American stage manager, Kim Beringer.
IMAGINARY FRIENDS By Nora Ephron; directed by Jack O'Brien; choreographed by Jerry Mitchell; music by Marvin Hamlisch; lyrics by Craig Carnelia.
First, opening in December, is "Imaginary Friends," by Nora Ephron, with original songs by Marvin Hamlisch and Craig Carnelia.
Writings such as La città del sole ("The City of the Sun") by Tommaso Campanella and Repubblica immaginaria ("The Imaginary Republic") by Lodovico Agostini are examples of this new vision of the church and of the duties of Christians.
The phase was then extracted from the new complex value for each epoch by taking the arctangent of the imaginary divided by the real part.
By Alan Hynd The New Yorker, March 4 , 1933P. 35 Imaginary interview by a newsreel man with the U.S.S.
Undaunted, Mr. Guerrero proceeds with other works of a certain grandiosity: "The Palmian Chord Ryddle" for electric violin and orchestra by Terry Riley, also in its New York premiere, and "The Warriors," an "imaginary ballet" by Percy Grainger, an Australian-American maverick.
