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His films are like mosaics in which each tile is an image; the sequence is less important than the over-all view that emerges.
Jelani Cobb examined how accurately the film portrays slavery, and Richard Brody analyzed Quentin Tarantino's directorial style: "His films are like mosaics in which each tile is an image; the sequence is less important than the over-all view that emerges".
Prior to printing the image, the sequence of observations is reordered in such a way that similar observations tend to be neighboured.
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In short, the first image of the sequence was used as reference image.
If (1) holds, then the image of the sequence $f_1, \ldots, f_ r$ in $R^\wedge $ is a regular sequence by assumption.
He looks harried in the last image of the sequence.
Gray value extraction was repeated for each image of the sequence along the same line.
Subtracting neighbor images in the sequence gives the difference image.
Some of the images from the sequence are included in "The Eye That Shapes".
One crucial assumption of this configuration is perfect pixel correspondence across images in the sequence.
For more fluid, video-like motion, use more images in the sequence.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com