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Image, looks, opinions.
The image looks secure, bourgeois, somewhat haughty.
Up close, the image looks grainy.
Without the glasses, the image looks like one you would see drunk.
Nearby on the High Line, off 14th Street, Mr. Morellet's image looks out onto the crowds.
One image looks like a knowing parody of a New York urban pastoral.
As an object or image looks and behaves more like a human, the viewer's level of shinwakan increases.
The image looks so much like a photographic negative, believers say, that no medieval forger could possibly have made it.
Specifically, the image looks like one from a time before taking a thousand pictures in a weekend was routine.
The image looks as packed and explosive as a stick of dynamite: static, but full of potential.
A series of steep curves suspended between an X and Y axis, the image looks vaguely familiar.
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