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(Sadly, unless I have missed them, Carroll's own excellent, sober illustrations for the first draft of "Wonderland," "Alice's Adventures Underground," which he prepared for Alice and her sisters alone, are not used in the new volume).
Since he could not draw, Mr. Pekar enlisted top comic-book artists to do the illustrations, notably R. Crumb, who had encouraged him to publish and contributed illustrations for the first issues of "American Splendor".
The earliest and arguably most influential depiction of Alice came from the hand of Sir John Tenniel, who was commissioned by Carroll to produce 42 illustrations for the first edition in 1865.
Lillian Hoban's illustrations for the first edition are so tuned to the spirit of the text that it is difficult to imagine the philosopher turtle or the archvillain Manny Rat in any delineation save her own.
So the Eric Carle Museum of Picture Book Art here has mounted "The Wonderful Art of Oz," a wonderful show tracking Oz-inspired artists, from W. W. Denslow, who drew the brilliant illustrations for the first edition, to more recent interpreters, including Maurice Sendak, Andy Warhol, Kiki Smith and Barry Moser.
The Coffin Texts used a newer version of the language, new spells, and included illustrations for the first time.
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Lillian took over the illustrations for the second Frances book and in all they wrote six in the series in the next decade as well as producing numerous other children's books over the same period.
Joseph Johnson, the publisher of Original Stories and all of Wollstonecraft's other works, commissioned William Blake to design six illustrations for the second edition, which cost two shillings and six pence.
A central story in the Abrahamic tradition--Judaism, Christianity and Islam--highlights an apt illustration for the first of the above three suggestions.
The following year he won a place at Slade, and produced his first illustrations for Ulysses, the first of scores of etchings and drawings created over the following decades.
"Fine Lines," a new book out this week from Yale University Press, reproduces a hundred and fifty-four of his illustrations, some for the first time.
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