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Authors can be very involved — to the extent that they will even, on occasion, provide art (photos or illustrations) for me to work with (not advised, all you authors out there).
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"It was early illustration days for me, so I have to credit them as giving me my first gallery show," Briggs says.
(For his part, Finley denies this. "As I recall, Elissa did not ask if I wanted to be co-author or 'feature the collection.' She asked if she could rummage her word through the archives to look for illustrations for her book. That turned me off").
The thought of doing illustrations for Russian Vogue never appealed to me.
Two boys travel underground to a pair of enemy kingdoms, inhabited by fattypuffs and thinifers, respectively – it's a terrifically fun story, full of pleasingly surreal inventiveness; but it's Wegner's hilarious, irresistible illustrations that make it for me.
But for this one I went in with six prints of Dan Evans' incredible illustrations of The Rock two for me, two for Dan, two for The Rock, as if The Rock is going to fly home with these prints and frame them and look at them every day and I am stuttering, asking him to sign them.
The illustration was fairly difficult for me to execute though and it took a few attempts before I was happy with the way all of the elements fit together.
Marjorie Priceman, whose illustrations for "Zin!
Henri Matisse's fleshy illustrations for "Ulysses".
Illustrations for "The Hobbit," by Maurice Sendak.
Illustrations for Mazescapes by Roxie Munro".
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com