Sentence examples for illustrated look from inspiring English sources

The whole thing was to make it look like old illustrated book covers, and expired Polaroid film lent itself to an illustrated look more so than any other film I could think of at the time, and I was already using it anyways.

• In "Times Square Spectacular: Lighting Up Broadway" (Smithsonian Books/Collins, $34.95), Darcy Tell, an editor at the Smithsonian Institution's Archives of American Art, recalls memorable images and their modern-day counterparts in a scholarly but lavishly illustrated look at the genesis of the Great White Way.

Edited by Claire Wilcox, the curator of the exhibit of the same name currently on view at London's Victoria and Albert Museum, THE GOLDEN AGE OF COUTURE: Paris and London 1947-57 (V & A Publications/Abrams, $45) offers an illuminating and sumptuously illustrated look at the renaissance in French fashion that occurred in the decade following World War II.

In the video, we see a warmly lit and expertly textured 3D world juxtaposed with the more mid-century illustrated look of the game.

The winning book, by the well-known British chef Heston Blumenthal, is a lavishly illustrated look back at the history of English cuisine and a reimagining of some of its dishes.

For an illustrated look at this process, see http://www.thebeeyard.org/?p=24.

This is starkly illustrated by looking at Goodman's work in the months prior to his arrest.

Here, the actress Emma Stone tops an illustrated graphic — looks like a schnauzer — with fun, festive badges; the musician Pink is fierce in a photorealistic tee and large drop earrings; and the actress Rashida Jones takes a prim approach to a pooch-inspired print with a tailored blouse.

The savage drop in savings rates is best illustrated by looking at what is on offer to people who want to put money away in the highly popular tax-free cash Isas (individual savings accounts).

The Italian landscape architects, such as illustrated by looking at the Villa d'Este, Tivoli (Lazzaro 1990) and architects, such as Vitruvius (Vitruvii 1480) and Palladio (Wundram and Pape 1988) represented the attention for beauty as an important factor of sustainability in this period.

In no way can the importance of a conceptual basis for tragedy be better illustrated than by a look at other drama-producing cultures with radically different ideas of the individual, human nature, and destiny.