Sentence examples for idiosyncratic shape from inspiring English sources

I have always known which month of the year we are in by its location on my own idiosyncratic shape and its relationship to my body.

New York City parks come in idiosyncratic shapes and sizes these days, like the High Line, a narrow ribbon of green that unfurls above 10th Avenue, and the future Freshkills Park, with its four monumental mounds.

Ms. Silvers — whose wavy hair is speckled with gray, though her face is virtually unlined — inflects her dancing with idiosyncratic shapes and rhythms, always slightly raw but imaginatively integrated.

His vision of women is that of a man who desires rather than identifies, yet they are never pure objects, but idiosyncratic, shaped by the talent and personalities of the actresses themselves within an atmosphere of directorial freedom.

On a meditative journey to seek the idiosyncratic shapes of puppets on stage, Gross looks at the anarchic Punch and Judy show, the sacred shadow theater of Bali, and experimental theaters in Europe and the United States, where puppets enact everything from Baroque opera and Shakespearean tragedy to Beckettian farce.

Combinations of ර(r) or ළ with have idiosyncratic shapes.

Although it's impossible to determine exactly what any single thing is in the 76-year-old artist's powerfully amusing pictures, it's not difficult to get a vivid sense of how much fun she is having, making up an impressive inventory of idiosyncratic shapes and forms, and arranging them as if she were some sort of fantasy-land urban planner.

"Parkinson's is a very idiosyncratic condition.

So far, entries have taken the form of tentacled sea creatures, precious gemstones, and idiosyncratic geometric shapes.

Everyone interprets entertainment through a distinct, idiosyncratic prism shaped by taste and experience, but we're also exposed to the responses of the people around us, who are also interpreting the show through their own individual prisms.

Inherent in Bloom's criticism is the idea that one's "inner ear" (by which I think he means one's private and instinctual response to a text) is influenced by what is being done to one's "outer ear," which receives an interpretation of the book by an intermediary, an actor whose idiosyncratic reading shapes and colors the text.