Sentence examples for identification of the characters from inspiring English sources

Exact(2)

Although the identification of the characters as N-MORB, E-MORB and OIB is completely dependent upon the training data set for the LVQ, but to a significant extent this method is found to be successful in identifying the characters within the CIOB basalts.

Two early approaches 70– 78 are distance-based, and therefore do not allow the direct identification of the characters that conflict in the reference trees.

Similar(58)

Dating of each production group comes mainly from the identification of these characters in other sources such as epigraphy.

The different prior values had a contrasting influence on the identification of the most probable character history.

Brecht's new artistic principles for the scientific age, The Verfremdungseffekt (A-effect), concerned different devices to make the spectator adopt an attitude of inquiry and critical reflection on a conscious plane about the incident, instead of an emotional identification with the characters on a subconscious plane [ 7].

This may be due to intolerance of the resemblance to childhood games of pretend, a perceived risk of over-identification with the characters, and the absence of mass marketing.

The sequences of crowds flowing from several different directions and merging into a raging river of protest are among the most remarkable achievements in the movies, not least because their power does not rely at all on the identification of individual characters used in most American movies, but on effects of rhythm and flow created by the careful matching of shots.

Therefore, this study supports the involvement of POM based intermediates in water oxidation catalysis, while future perspectives should be directed toward the identification of such main characters, and of the mechanism of O2 construction.

This involves the identification of the system's identity characters, that is, the set of values (perceptive, relational, functional) through which a system manifests its character.

Ideally, the aberrant character closely resembles the primitive character, which can either be known by the fossil record of the group, or by identification of the primitive state of the character by comparison with living representatives of sister groups and outgroups for the clade.

He takes classic construction at face value; the typecasting, and the identification of characters and their fates with their social roles, mark "Aloha" as cavalierly reactionary.

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