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She has put into practice certain ideals of art, maternity and political liberty which people prefer to read as theories on paper.
As Joplin, poor Mr. Boatman stands stiffly around, giving lectures on musical history and sermons about the noble ideals of art that he has had to fight so hard to pursue.
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It would be impossible, of course, to carry out such an ideal of art as "report" and undesirable even if it were possible.
The notion of a freely available artwork, he added, fitted perfectly with the artists' long-held ideal of "art for all", a principle that has formed the bedrock of their practice since they started working together in the late 1960s.
Matisse, in fact, hardly differentiated expression from decoration; his ideal of art as "something like a good armchair in which to rest" explicitly excluded the distortion and disquiet that earned the style of Kirchner and Die Brücke ("The Bridge") group, which had been founded in 1905, the label of Expressionism.
Ellison never published another novel during his lifetime, but his essays, reviews, and interviews, published as Shadow and Act (1964) and Going to the Territory (1986), acknowledged his unwavering commitment to a pluralistic ideal of art that knows no allegiance to any school or program.
At a time when the art industry is awash in cash and privilege, and theater tickets routinely go for $100 or more, Bread and Puppet continues, more than 40 years on, to live an ideal of art as collective enterprise, a free or low-cost alternative voice outside the profit system.
I've always been very moved by that agonizing possibility, that you might dedicate yourself to an ideal of art, and imaginatively make it the center of all value in your life and then turn out not to be good enough.
For all his nimbleness, there is something old-fashioned in the tribute that Robbins pays to the lost ideal of art as catalytic comment... "The Cider House Rules" is adapted by John Irving from his own novel, and he's done a neat filleting job — almost too neat, so that some passages crawl and creak for want of activity.
His explication of the implicit metaphysical structure of Goethe's corresponding Ideal of art reveals the contrasting features of his structure of the Absolute: as a sphere of pure content, a medium of destructive refraction, and a plurality of discontinuous archetypes.
Genzken takes on the ideals of modern art and architecture along with the joys and the anxieties of life in contemporary cities.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com