Sentence examples for idea of illusion from inspiring English sources

The audience that turned up for the Lumière brothers' pioneering exhibition, in Paris, was not yet comfortable with the idea of illusion.

The theme explored question of fashion and the idea of illusion and transformation.

"We wanted to portray the dream world of Hollywood, the ideas of illusion versus reality that are a part of moviemaking, and splitting 'Woyzeck' into two different worlds was a way to explore that," Mr. Barrett said.

In "Moon Water," which the festival should put on its "must" list, ideas of illusion and reality were evoked in the decor and in the extreme fluidity of the dance idiom.

It gets stronger after the interval, becoming more interesting as it plays with ideas of illusion and reality, moral crusades and critical judgments including – in a brilliant moment – the star rating system for reviews.

Recently dead cells have every material thing needed for life except once it is truly dead then the greatest of sciences can not bring it to life; yet did "nature" take non-viable (non-living) materials and "presto" form life? Examine the idea of an illusion; if it is an illusion to us - who created the illusion?

"All that!" a joyous Marc Jacobs said backstage after a presentation of super short and super long outfits, both playing with the idea of optical illusions.

One strand of Hegelian thinkers, typified by the German philosopher Ludwig Feuerbach, attempted to unmask the idea of religion as illusion.

It is typical of Magritte's enigmatic compositions that tease the eye and juxtapose unlikely objects, such as bowler hats and apples, in settings that play with the idea of reality and illusion.

Magritte (1898-1967) was a Belgian painter who created some of the 20th century's most extraordinary images, enigmatic compositions that juxtapose unlikely objects, such as bowler hats and apples, in settings that play with the idea of reality and illusion.

Furthermore, the idea of total spatial illusion generated by Mantegna was not fully exploited until inventors of ingenious schemes of ceiling decoration in the Baroque era (the 17th century), such as Giovanni Lanfranco and Andrea Pozzo, utilized a basically identical concept of total illusion dependent upon the location of a hypothetical viewer standing at a single point in the room.