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(Fair disclosure: I wrote the chapter on black Americans. But the other 20 are indispensable).
When I wrote the chapter that's the letter to the Nominee [his ex-wife's new partner] I didn't know I was going to keep it, but in a lot of ways it's the climax of the book.
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I wrote the chapters in order, shifting between the different perspectives, but I sometimes read through all the Ella chapters, for example, to check for continuity.
It's important to remember that Steve and I wrote the first chapter in what is now an 85 chapters-long book, and those subsequent chapters have been co-written by about a dozen other very talented writers whose lives, like ours, have been strip-mined for stories of family life.
I wrote the first chapter of my novel Nora Webster in the spring of 2000, in the same season as I wrote the first chapter of The Master, my novel about Henry James.
I wrote the opening chapter in a long, narrow room in our house in Sussex.
I wrote the first chapter on a train journey from Chicago to San Diego.
Speaking of "The Lovely Bones," she said: "I wrote the first chapter before we married and read it to him over the phone, and he said, 'Keep going.' He was incredibly supportive, which was incredibly important.
In the case of the book, I wrote the last chapter first, right?
What I didn't know when I wrote the last chapter of that book was that I wasn't done, that there would be another move.
I wrote the early chapters in about an hour – as though they were being dictated to me.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com