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I usually draw them as sympathetic characters, victim-like, as they bring themselves to a stranger's door.
What aspects of my work are not helped by the theories and guidance that I usually draw on to make sense of what I do?
"I usually draw every day.
I usually draw on the way I remember things as a kid.
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I usually make coffee for myself, draw a bath and have a big soak.
I'm usually drawn to the quieter moments within the story, and I try to stay clear of taking a political approach to the images or having them look like wire images that flood the market daily.
That's kind of unusual for me, because I'm usually drawn to food by smell.
My mother's wreck may be one reason I am usually drawn to the more curvy "late model" Corvairs – the ones produced from 1965 to 1969.
Growing up, I was usually drawn to books and films that centered on girls (Nancy Drew over the Hardy Boys any day), and it was rare that I so relished being immersed in the world of boys, who here slept in a boarding house with their feet in each other's faces.
While I am usually drawn either to surrender or take on new during Lent, my attention this year is on the high incidence of traveling metaphors commonly used by writers, speakers, pastors, and priests alike, when describing Lent.
I am usually drawn to work, especially written work, that deals with the world of mass consumerism, popular culture, and advertisements because it often feels more familiar to me than books about war, or police work, or settings around the world.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com