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Although the anxious tapping of toes as audiences wait for the next number is hardly an unknown offstage sound effect at this series, at "Lost in the Stars" I sometimes began to imagine it would drown out the tom-toms onstage.
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I've found in my own reading experiences that I sometimes begin a novel with great hopes, only to feel let down.
As sometimes happened after a few hours of conversation with one of them, I began to feel polluted.
"Hi, I'm Ed Koch," his reviews would sometimes begin.
I sometimes think I only began this column so that one day I would be able to write about All the Devils Are Here by David Seabrook.
"It's not easy to meet someone, and it gets fucking miserable sometimes," I began.
"When I began shooting, I sometimes sounded like her.
I told him I sometimes went into the studio and began dancing, improvisationally.
As I sat there sometimes reflecting, sometimes just staring at the wall, sometimes napping—I began to wonder whether it got its name because it was where they put people who were crazy, or whether it's because this was the place they put people to make them crazy.
When the path is open ended, I sometimes don't know where to begin.
I sometimes stop them.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com