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Mr. Millepied's "Why am I not where you are" almost entirely evaporates in the mind.
I have to ask him (how can I not?) where his own children went to school.
"Why am I not where you are" is a Hoffmannesque story of an outsider who has to put on magic garments to be visible.
Ms. Barak's "Call Me Ben, Mr. Millepiedd's "Why am I not where you are" and Mr. Wheeldon's "Estancia" all had stories.
The program also offered Benjamin Millepied's "Why am I not where you are," a busy, vapid version of George Balanchine's "Valse," and Mauro Bigonzetti's "Luce Nascosta," or 44 tedious minutes spent in the almost dark.
His new "Why am I not where you are" — though obviously evoking the ballroom idiom of Balanchine's ballet "La Valse" — is an essay in Powell-and-Pressburger neo-Romanticism.
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As I See It, The Academy Awards Is Not Where The "Real" Battle Is.
"I'm not where I was... but I'm not where I want to be either".
"I'm not where I want to be, but I'm not where I used to be.
I'm not where I was two years ago".
I'm not where I need to be.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com