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(That's the way I next read it, under a professor's instruction in college).
When I next read the book, and recently, while listening to Rachel Joyce's luminous adaptation on the radio, I was struck by the extraordinary directness with which Rochester and Jane communicate.
Instead, I next read Donald Antrim's "The Emerald Light in the Air," my diet after the binge, my mortification after the ecstasy.
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"The next thing I know, I read that he's stabbed somebody," Mr. Anthony said.
Next, I read the paper, and I jot down notes and questions on the manuscript itself.
When I turned to "Ripley, Under Ground," next, I read it in part to see if my theory held up.
Next, I read all of those poets' favourite poets, which is how I ended up reading William Carlos Williams and George Oppen and the whole of the Bible, and listening to all of Marvin Gaye.
Next I read "Lipschitz Six or Two Angry Blondes," by T. Cooper, and I loved Cooper's lyrical, surreal vision of the ghettos of Russia as much as I loved his iteration of the Manhattan our Jewish grandparents arrived to find here.
Next I read that this would be the final column for Virginia Heffernan and The Medium.
Next I read the opening chapters of Dahl's first novel for adults, Some Time Never: A Fable for Supermen.
Next, I read Me Before You by JoJo Moyes.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com