From here on out, the primary question each man should ask is not, "How can I distort my opponent's track record and my own to my advantage?" but rather, "What is my vision for America, and how can I represent it most accurately?" I realize that a call for truth-telling in politics may be dismissed as unrealistic and naïve.
That does not justify "read[ing] it out of the Constitution" and, contra the majority...I would not do so; but neither would I distort the Clause's original meaning, as the majority does, to ensure a prominent role for the recess-appointment power in an era when its influence is far more pernicious than beneficial.
I had written some lyrics about this, it had actually been meant as a song, but since no tune came to mind, I called it a poem when I later wrote it in my diary: I distort my soul's feedback I play my heart bare I look at you and think: We're at one in my loneliness We're at one in my loneliness You and me You and me, my love.
I had written some lyrics about this, it had actually been meant as a song, but since no tune came to mind, I called it a poem when I later wrote it in my diary: _I distort my soul's feedback I play my heart bare I look at you and think: We're at one in my loneliness We're at one in my loneliness You and me You and me, my love.
Nor did I distort anything Petraeus said.
I distort the letters on the computer and create stencils, so that each painted letter is unique.
Whenever I could I used to nip into the goal and play around, and whenever I managed to stop a shot I'd shout, "Good one, Bilé!" or "Great save, Bilé!" Because I was only young I somehow distorted the nickname and said that when I grew up I wanted to be a goalie like "Pilé".
When this unreasonable expectation was not met, I became angry and upset, at which point I subconsciously distorted my own memories to glorify my own actions at the expense of others.
In refashioning the moist, pliable clay of reality into the fired ceramic of a published novel, I could distort whatever I wished, leave out anything that didn't suit my purposes, and invent scenes that never happened, which to my subjects must have been infuriating.
"I guess I enjoy distorting the human face," Griggs tells The Creators Project about his new, face-melting image series, Deformations.
