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I didn't see enough (who did?) and what I caught ran the gamut from fascinating (Omer Fast's politically-charged game of telephone, played by pros like Jill Clayburgh and Lili Taylor) to excruciating (Candice Breitz's theatrical folly, in two acts, of four sets of twins "waiting for Godiva").
The performance I caught ran 15 minutes long, which is a very substantial amount of time indeed.
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To make sure I caught everything, I ran through Lost three times.
"But I caught the ball, ran 40 metres and got tackled, but it steadied my nerves".
My crippling reluctance to make eye contact with other drivers – presumably in case I caught them slowly running their finger across their throat at me – had to go, too.
The other morning, while pounding out a cardio session on the treadmill, I caught my mother running beside me in the full-length mirror.
"I caught the ball and ran toward the end zone".
"So I just ran, and I caught them all and won the race".
As I ran away, I caught him waving a three-finger salute, a gesture of Serbian nationalism based on the Orthodox sign of the cross.
I shouted, the figure started running, and I caught her as she tried to nip out of the front gate.
And as I was editing, I realised that one of these pictures which I hadn't really remembered taking was one of this boy running and I caught him in kind of mid-leap, it just had this kind of wonderful decisive moment to it.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com