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But I do know they don't stand a chance against the many hundreds designed to keep you busy or lovingly distract you (like mine) or help you get more stuff done, even though you can never get everything done, because as soon as you polish off your list for the day it's hey, look!
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A crisper, lighter touch of 1961 is the trim little modern building at 22 East 84th, designed by R. Marshall Christensen.
In 1930, Stetson's house was demolished for the present apartment building at 7 West 96th, designed in a mild Art Deco style by the theater architect Thomas Lamb.
Then there is the new 54-story Bank of America tower at the northwest corner of 42nd, designed by the architectural firm of Cook & Fox with a 1,200-foot-tall 1,200-foot-tall 1,200-foot-tall
More such construction followed in the 1890s and the early 1900s — like the wonderfully outlandish Flemish-style stable at 168 East 73rd designed in 1899 by Charles Romeyn.
Mr. Goode's first project, at 20 West 47th, designed by Sommerfeld & Steckler, looks no different from any other loft structure.
Also of the Jazz Age, but smaller, is the zigzag-style Croyden Garage of 1930 at 406 East 91st, designed by Horace Ginsbern.
In 1896 the dry goods heir Henry Sloane finished his ultra-French limestone house at 9 East 72nd, designed by Carrère & Hastings.
Among the earliest such spaces standing in Manhattan is the five-story Garage Deluxe, at 177 East 73rd, designed by Charles Hoppe in 1906.
At O'Reilly and Compostela Streets, the architects Walker & Gillette, famous for the Fuller Building at Madison and 57th, designed an impressive branch for New York's National City Bank.
The most interesting one is the unusual double house at 122-124 East 38th, designed by Ralph Townsend for a regular client, William R. H. Martin, who was active in real estate development and was also head of the men's clothier Rogers Peet.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com