Sentence examples for human texture from inspiring English sources

The book has no human texture.

No punctuation is aggressive enough for Green Room (Altitude, 18), a seismically nasty exercise in bloody backwoods horror that confirms all the ruthless technical strengths director Jeremy Saulnier demonstrated in Blue Ruin – with, sadly, none of that film's human texture.

The clear purpose of Lebed's trip to America, an unofficial visit that coincided with the second Clinton Inaugural, was to add some reassuring human texture to his image as a plainspoken tough guy.

Yet it's also a ballet about society and class, and Peter Wright's production has always been outstanding for the human texture it gives to the world the two lovers inhabit, and for the dramatic opportunities it gives to the entire cast.

BBC2 controller Kim Shillinglaw said: "It is both a privilege and a pleasure to have Wolf Hall - with all its grown-up, rounded, rich, human texture - on BBC2 and I am so pleased that the audience has responded to it in such a remarkable way.

"It is both a privilege and a pleasure to have Wolf Hall – with all its grown-up, rounded, rich, human texture – on BBC2 and I am so pleased that the audience has responded to it in such a remarkable way," said Kim Shillinglaw, BBC2 controller.

It does not work well in dynamic situations and is unable to determine internal movements well Motion-based method [26, 86, 87] Moderate High Does not require predefined pattern templates but struggles to identify a non-moving human Texture-based method [44, 88 91] High High Provides improved quality with the expense of additional computation time.

But he was also one of the great draftsmen of his age -- his landscape drawings prefigure Rembrandt and Ruisdael -- and became a virtuosic painter whose primary subject was bare human flesh: its texture, its color, its chemistry.

Most of the book is set outdoors, and its vistas are outlandishly Romantic: fields of flowers, tangled forests and marshlands palpable down to the last blade of tall grass, birds and animals rendered with minute attention to texture, human bodies posed in Laocoönish torment.

The human assessment of texture has to be the standard against which instrument readings are calibrated.

In this paper, we address the problem of simulating the human perception of texture, obtaining linguistic labels to describe it in natural language.