The phrase "human relation to" is correct and usable in written English.
It can be used when discussing the connection or interaction between humans and various subjects, such as nature, technology, or society.
Example: "The study explores the human relation to technology and its impact on daily life."
Alternatives: "human connection to" or "human interaction with".
These events represent "crises"—i.e., turning points when the human relation to the sacred becomes a matter of special concern (see also rite of passage).
Besides which, art is perfect, or aims towards perfection, and nowhere is the gap between it and the flawed people who produce and love it more evident than in the human relation to music.
The more concretely those terms are defined, the easier it is to place yourself in human relation to them.
Barbara has her own addiction, specifically to the kind of storybook romance that, the movie suggests, reduces human relations to commercial transactions as much as pornography does.
Social channels impact every single aspect of business from human relations to finance, sales, operations and legal.
"You don't have to be an expert in human relations to do this," she says.
In this work, Buber gives expression to the intuition that we need to withstand the temptation to reduce human relations to the simple either/or of Apollonian or Dionysian, rational or romantic ways of relating to others.
I then proceed to outline how a clearer understanding of the role of olfaction in ecological studies can uncover new aspects of social dynamics and human relations to the natural environment.
The term was formally introduced in 1921, but many sociologists, geographers, psychologists, and other disciplines were interested in human relations to natural systems centuries prior, especially in the late 19th century.
Adroitly assembled by the award-winning editor Geoffrey Richman, the movie's many interviews and interests (from dolphin-human relations to the mystery of where all that slaughtered meat ends up) interweave seamlessly.
Adroitly assembled by the award-winning editor Geoffrey Richman, the movie's many interviews and interests (ranging from dolphin-human relations to the mystery of where all that slaughtered meat ends up) interweave seamlessly.
