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That occurs because of the evident human (biotic) features of divergence from routine reasoning and calculus, use of intuition and other intriguing biotic generic cognitive behaviours (introducing analogies, abstractions, relations, boundaries, equalities, consistencies, and beauties into the expert and domain-dependent reasoning) (Hofstadter 1995).
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Current concepts of art cannot exclusively circumscribe the human arts from many forms of non-human biotic art.
I argue that many previously proposed anthropocentric requirements for art fail to exclude various non-human biotic advertisements.
The existence of myriads of non-human biotic artworlds constitutes exactly the type of challenge to aesthetic theory that Danto supposed in The Artworld (see epigraph).
However, many previously proposed, anthropocentric requirements for the concept of art result in either the inclusion of some non-human biotic phenomena as art, or the omission of some universally accepted human art forms from recognition as art.
Mora, C. et al. Suitable days for plant growth disappear under projected climate change: Potential human and biotic vulnerability.
I suggest wildness, or true freedom, which can only be found in community -- human and biotic.
The specific mechanisms of coevolutionary feedback between aesthetic entities and evaluations in human and biotic artworlds are clearly very diverse.
The predominance of beauty in the human and biotic arts is not accidental, nor is it the result of an anti-progressive, conservative, reactionary, institutional, or economic forces.
Recent genome-wide analyses indicate that the human xeno biotic metabolism and disposition system may have undergone unique natural selection (Sabeti et al. 2007).
Coevolutionary aesthetic theory provides a heuristic account of aesthetic change in both human and biotic artworlds, including the coevolutionary origin of aesthetic properties and aesthetic value within artworlds.
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CEO of Professional Science Editing for Scientists @ prosciediting.com