Sentence examples for how she rejected from inspiring English sources

Tells how she rejected a position in management to work as a trial prosecutor.

I loved how Jane addressed me boldly from the first page, how she challenged the injustices of her aunt's household (a place where books were used as weapons), how she raged at Rochester that "women feel just as men feel" and how she rejected her cousin's passionless proposal, because she wanted love and she didn't see why she shouldn't get it.

This examines how she rejected the postwar consensus that had governed the country for more than 30 years.

The first programme looks at how she rejected the postwar consensus that had governed the country for more than 30 years, and came into conflict with trade unions, the old establishment and even members of her own cabinet.

"I thought I was going to be responsible for destroying this man's two-year journey to tell this story," she said, after describing how she had rejected the role for eight months before signing on with Mr. Hancock.

A man who murdered his estranged wife after she rejected his orders about how to live has been jailed for life.

"No, we don't want a TV personality," is her summary of how she's been rejected by some of the top directors in Hollywood.

Anna tells her friends and relatives, who are assembled around her, how she had always rejected the notion of suicide, and then, one morning, felt exactly the opposite: I've always been convinced that if you're of sound mind you have no real right to — lower the confidence of the world.

I swear to God, I came home after school, went upstairs, and spent the next two hours pacing in front of our second-floor hallway yellow rotary phone thinking about every possible scenario of how she was going to reject me on that call.

In a TED talk that has been translated into 35 languages, she explained how, having been rejected by seven art schools, she went from collaborating with Indian fishermen and Lithuanian lace-makers to suspending intricately engineered sculptures above some of the world's most famous public spaces, where they billow with the wind and change color at night.

She reveals how artists who rejected ornament and ostentation nevertheless drew on their cluttered Victorian childhoods as they shaped their aesthetic response to the world.