Sentence examples for horror figures from inspiring English sources

"In light of the Sept. 11 tragedy, we're not accepting any props such as knives, guns, chains, weapons, disfigured faces or any kind of horror figures," Linda Rozetti, the principal, said.

We worked a lot on Carrie's physicality, to make her look like an ancient horror figure, a blood-coated somnambulant zombie, a witch returned from the dead.

Along with TV appearances in the late 70s and 80s, Pitt became established as a cult horror figure, much in demand at conventions.

The story of Slender Man's origins is by now well-known: the "horror figure for the selfie age," as described by the New York Times, emerged during a Photoshop contest on a web forum called Something Awful.

"These news organizations will have to feign shock and horror and figure out another way to do it surreptitiously," said Robert Boynton, director of the long-form journalism program at the Arthur L. Carter Journalism Institute at New York University.

The Latin American jury gave a special jury mention to the wonderful "Coffin Joe," directed by André Barcinski and Ivan Finotti, about the Brazilian horror-film figure José Mojica Marins.

UK startup Relative Insight (previously called Relative.ai) reckons it has come up with a fix for your linguistic horrors — by figuring out a way to turn language into data sets that support comparative analysis.

That thing being the Holocaust, whose horrors only figure lightly and fairly bloodlessly in the film when a group of Jews wearing yellow Stars of David are marched through the town.

Pointing with horror to those figures, Bill Lann Lee of the U.S. Justice Department's Civil Rights Division (who filed a brief supporting the women) noted that the disparity worked out to 5.56 standard deviations a fancy way of stating that the odds were astronomically high against its happening by chance.

More waxworks horror than traditional figure sculpture, "Bad Miracle," as it is called, is said to be a Dorian Grayesque portrait of the artist and a symbol of the toxic excessiveness of Western consumerism.

The dark, Gothic horror style, with looming figures, and with vast interiors that suggested castles rather than houses, formed the basis for much of Welles' later visual style.