Sentence examples for horror between from inspiring English sources

The movie just lives inside that stunned, astonished 90 minutes of horror between one epoch and the next - and there is, to my mind, an overwhelming dramatic justification for simply attempting to face, directly, the terrible moment itself.

Many a horror between us and the future.

David Edelstein suggested in his original article that much of the multiplex horror between 2004-2010 was just plain nasty, violence for the sake of violence.

David Edelstein suggested in his original article that much of the multiplex horror between 2004 and 2010 was just plain nasty violence for the sake of violence.

Readers are left to imagine the horrors between the time that Sergeant X, stationed in Devon, England, meets Esmé and her brother, Charles, two war orphans, and the time that Esmé's letter reaches him in Bavaria a year later, after he has suffered a nervous breakdown.

He uses a variety of theatrical techniques -- Shakespearean doubling, the stylized physicality of commedia dell'arte and freak show shock effects -- to create a surreal world that erases the borders between humor and horror and between Europe and the mythical pre-Romantic East.

And he was at least arguably the most powerful American writer of horror fiction between Poe and Lovecraft.

In a new documentary on independent horror movies between 1968 and 1978, "The American Nightmare," which had its premiere last night on the Independent Film Channel and will be rebroadcast through Halloween, major splatter-film directors like Mr. Romero, Wes Craven, John Carpenter and Tobe Hooper talk, some for the first time, about the social context of their films.

The Woman in Black proved a spectacular return to the limelight for Hammer, the iconic film production company behind a series of successful gothic horror films between the mid-50s and mid-70s which re-entered the fray in 2007 following almost three decades of big-screen hibernation.

But either way, Paranormal Activity has two major disadvantages, the rise in online piracy (if ever there was a movie that wouldn't be harmed by watching it on a computer screen...) and the absolute glut of horror titles between now and November 6th.

While the reluctance of Mr. Hillerman and his series editor, Otto Penzler, to draw firm lines between puzzles and literature, between horror tales and adventure stories, fudges arguments over categories, their book offers pleasures aplenty, from Hemingway's masterpiece of mood and dialogue, "The Killers," to Ring Lardner's enduring "Haircut" to Damon Runyon's swell "Sense of Humor".