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The unravelling of a middle class mainstay (the holiday in France) is perhaps one of the reasons it has resonated with audiences, and why the writing team behind the show, Harry and Jack Williams, used the phrase "horrid familiarity" to describe the story.
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Horrid flat.
Horrid horrid call.
Horrid boys become horrid men.
How horrid!
It was horrid.
Isn't it horrid?
Similar familiarity is found in the lavender waft of Eva Green's mysterious Vanessa Ives and Timothy Dalton's even more mysterious Sir Malcolm Murray, both of whom communicate solely in portentous exposition and grim forebodings of nastiness most horrid to come.
Also, familiarity.
Horrid, horrid, and let me say again, horrid.
Familiarity is.
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