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The characters' headlong leap toward mingled joy and pain suggests a vulnerability and a hunger for experience that are themselves a lesson in art: the intense, conflicting emotions are the creator's raw material, and the depiction of the avidly searching filmmaker is a persuasive self-portrait of Hong himself.
They involve a handful of people, mainly young ones, or ones who age in a manner that's roughly in step with Hong himself, who meet by chance, reconnect, couple off, split up, drink heavily, embarrass themselves, go away, come back — they live modest but turbulent lives of great emotional intensity but little grand drama.
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While not nearly as rich as Mr. Levchin, Mr. Hong describes himself as well off enough so that work is optional.
Hong also believed himself to have encountered a middle-aged man who aided and instructed him in the extermination of demons.
HONG KONG — Talwinder Singh considers himself a "Hong Kong citizen" and a native son of the city where he was born.
10 min Hong Myung-bo finds himself in acres of space 20 yards out.
The common rap on Mr. Hong — that he repeats himself — misses the point of his increasingly rich (and yes, repetitive) body of work.
Many Hakkas had joined a growing religious cult built around a visionary named Hong Xiuquan, who believed himself to be the younger brother of Jesus Christ.
So like most of his peers, Mr. Hong decided to throw himself back into work, in his case refocusing on HotOrNot in the hopes of transforming the Web site into a larger business.
In the mid-19th century, the Taiping Rebellion began when Chinese officials cracked down on a millennarian sect led by Hong Xiuquan, who believed himself to be the younger brother of Jesus.
Ge Hong admitted, however, that he himself had never succeeded in making one.
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