Sentence examples for historical critique from inspiring English sources
The phrase "historical critique" is correct and usable in written English
It can be used when discussing an analysis or evaluation of historical events, texts, or contexts. Example: "The historical critique of the novel reveals the author's perspective on the societal issues of the time."
The drawings and dolls he has made since 1962 based on the Ku Klux Klan — he used a hidden camera to photograph rallies in Memphis — may not go far enough for some as either personal exorcism or historical critique.
His earlier books include Monteverdi and the End of the Renaissance; Music in Renaissance Magic: Toward a Historiography of Others; Metaphysical Song: An Essay on Opera; The Singing of the New World: Indigenous Voice in the Era of European Contact; and Music and Historical Critique.
It is characteristic of Novalis's political philosophy that he not only offers a principled discussion of this predicament, but also a historical critique.
This creative engagement with the materials and computational elements of digital texts revealed itself to be a fecund form of literary, textual, and historical critique.
Marxist philosophers, he maintained, could be useful to scientists by pointing out, from the standpoint of politics and by the method of historical critique, where and how some of the concepts scientists employed were ideological.
This philosophical milieu provided materials for the critique of subjectivity and the corresponding "archaeological" and "genealogical" methods of writing history that inform Foucault's projects of historical critique, to which we now turn.
Working in tandem with historical critiques that were recasting the frontier as a site of imperial, patriarchal, and ecological violence, the critique offered by western literary regionalism hinged on an effort to decouple the frontier from the West.
In "George Condo: Mental States," at the New Museum, the painter assimilates the styles of masters from Velázquez to Picasso, but his work is no cynical art-historical critique — his themes are violence and sex, tragedy and farce.
Minimalism, lounge music, French ye-ye pop and socio-historical critiques all merge in Stereolab's music.
In all of the writing on this supposedly 'hidden' subject, there appears only one sensitive historical treatment, critiquing the unchanging profile.
This talk will elaborate on the lesser-known work of Edith Heath, situate her practice within a historical context, and critique traditional narratives of mid-century ceramic history.
