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His work indicates his fascination with muscles in action, and he is said to have been the first artist to dissect the human body.
If Matshes proves correct about this, then his work indicates that pathologists should look beyond the traditional triad of injuries in the brain, and into the spinal column, to determine whether a baby was shaken.
The "ethos," which later critics, including Aristotle (Poetics, ch. 6), valued so highly in his work, indicates a concept of character as an innate disposition, governing the actions and manifest in a person's outward bearing.
The only mention of Jewish education in his work indicates how relatively weak it must have been, because he speaks only of Jewish schools that met on the Sabbath for lectures on ethics.
His work indicates the degree of gradual Byzantine penetration into the coastal fringes of the Balkan Peninsula, as does the number of themes organized in that same region during the early 9th century: those of Macedonia, Thessalonica, Dyrrhachium, Dalmatia, and the Strymon.
Part of the complexity of Christopher's orientation is that his work indicates that he has at least some of the quantitative reasoning skills needed to work out the answers to the first two problems by rounding (e.g., he is able to round his answer of 20.3 correctly to 20).
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His work indicated that some 80% of income growth was due to rising educational attainment and greater "research intensity" (the share of the workforce labouring in idea-generating industries).
The surviving fragments of his work indicate Numenius' strong concern with the history of Platonism and are quite telling as to the tendencies of Platonism at his time.
His work indicated that the island, known as Spartel, sunk slowly under the rising sea levels of a melting ice age starting 20,000 years ago and that by 12,000 years ago it was less than 500 meters across.
For Deal, an Indigenous artist belonging to the Pyramid Lake Paiute nation, the Office of Public Affairs expressed concern that he might mention The Washington Redskins in his work, indicating that his stance would be too politically charged.
Chambonnières was one of the first to attach tables of ornaments to his works, indicating the manner of performance of the many embellishments so vital to his free-voiced style.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com