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His dramas were remarkable for their range.
His dramas inveighed against hypocrisy and corrupt values with mordant irony.
His dramas, poems, and prose are significant for their psychological insight and stylistic daring.
His dramas are among the most widely read and frequently performed stage pieces in Russia.
His dramas were a notable influence on post-World War I European theatre.
His dramas are allegorical and didactic: the Comedie van Israël (1575) attacks the worldly, hypocritical Netherlands of his time.
Alfonso Sastre rejected Buero's formula, preferring more-direct Marxist approaches to social problems, but censors prohibited many of his dramas.
His dramas occur in single rooms, among fantasy architecture and realistic street views, in formal processions and killing fields.
Wedekind's characteristic theme in his dramas was the antagonism of the elemental force of sex to the philistinism of society.
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For Orton, prison prompted an objectification that refined and defined his dramas-to-be.
Then Ken Parker told Hanley and Franks about his drama with Biro.
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