Sentence examples similar to high tech performance from inspiring English sources

He has turned lamming it into a kind of high-tech performance art.

He is investing his venture capital money – he has raised $12.5 million – in high-tech performance fabrics and American manufacturing.

Strangely — or perhaps not — there was no sense of incongruity between Ms. Beiser's high-tech performance and the evocations of antiquity in the music and iconography.

The serene shapes of ottoman bubble jackets, worn over skirts made of quilted nylon jacket liners, offered no indication that they were made of high-tech performance fabrics, often a blend of polyester with mohair or papery cotton.

"This is a very old-fashioned way of doing things," says the woman who presided throughout the eighties as the avatar of high-tech performance art but has spent much of this decade in the studio.

Or more accurately, I slept on the stuff athletic shorts are made of: high-tech performance fabric, the sort of super-Lycra that goes into the uniforms of, say, basketball players.

In other words, no matter how dramatically effective the high-tech performance of "The Technophobe and the Madman" might be, the play's success is still based on one of the timeless principles of show business, as espoused in the musical "Gypsy" by Jule Styne and Stephen Sondheim: "You gotta have a gimmick".

On November 12th, I went up to EMPAC the dazzlingly high-tech performance complex at Rensselaer Polytechnic Institute, in Troy, New York to hear Haas's "in vain" (2000), a work for twenty-four instruments which unfolds in a continuous seventy minutes.

He and Mr. Marsalis had been talking to some of the organization's board members about establishing a more permanent presence in other cities, replicating the acoustic experience audiences have had since Jazz at Lincoln Center moved into the Time Warner Center in 2004 and raised $131 million to build three high-tech performance spaces.

NEW YORK TIMES Silicon Valleyey Legend on the Lam in Belize  |  John McAfee, who made his fortune from computer antivirus software, is a "person of interest" in the investigation of a murder in Belize, and "has turned lamming it into a kind of high-tech performance art," The New York Times reports.

On November 12th, I went up to EMPAC — the dazzlingly high-tech performance complex at Rensselaer Polytechnic Institute, in Troy, New York — to hear Haas's "in vain" (2000), a work for twenty-four instruments which unfolds in a continuous seventy minutes.