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She unified her styles with color.
By the mid-'80s her styles became more structured and ladylike.
Her styles were worn by Dietrich, Garbo, Katharine Hepburn, Joan Crawford, etc. Her suits, with their linebacker shoulders and inverted trapezoid shape, became the style of nearly every sinewy, chain-smoking, man-eating screen temptress of the 1930s.
While the look of her styles -- like this silk chiffon bra, $286, and panty, $318 -- may attract the likes of Sofia Coppola, it is the experience of wearing them that turns women into collectors.
At the same time, there seemed to be no boundary between her off-screen life and her on-screen presence, which is why, as artificial and contrived as her styles and mannerisms may have been, her films, even bad ones, give off an exhilarating charge of documentary immediacy, as do even her most posed and stylized photos.
But although all of her styles have a braided rope sole ("That's what makes it an espadrille," she said) and most have canvas uppers, she said she was open to silk, to wedge heels ("as long as they're comfortable") and even to tiny floral prints.
Similar(50)
Her style sometimes grated.
"She owns her style".
I like her style.
You liked her style?
Her style essential?
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