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It was these details that were particularly striking to her in creating her performance and finding ways to express herself through voice, breath and footfalls with her expressions and body language taken away.
Her expressions changed very quickly.
Her expressions of remorse and shame have been ample.
She's naturally doe-eyed, meaning her expressions of joy are dashed with melancholy, and her expressions of sadness are dashed with hope.
(Pay attention to her expressions during Blanche's interview with Lily, for instance).
The pliability of her expressions launches the film under the sign of her unique talents.
Her expressions of delight, moreover, exuded even more candlepower than Kalina's.
But knowing the skating reference makes her expressions in paint more compelling.
As she answered questions, wittily, thoughtfully, her expressions changed — concentrating, puzzled, playful — and the wheels were always turning.
She can't not be funny: everything about her – her expressions, her mannerisms, her pauses, even her silences – are funny.
You might say that it's as much about us as her: what we see in her expressions and her eyes.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com