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Torn fragments of paper also contributed to her composition.
About halfway through the set, Betty took the lead on her composition "Painful Memories".
"It's my writing friend," she says of her pedal; it's integral to her composition process.
Hamada was a natural choice: her photographs are quiet and refined; her composition deliberate and clean.
Her composition teachers have included Fred Lerdahl, Tristan Murail, George Lewis, and Chou Wen-chung.
Here is her Composition No 2 "Dies irae" (1972/3): You see the wooden box that looks like a coffin.
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Nine of her compositions are in the Mendel Music Library.
Her compositions synthesize old and new musical designs.
Her images tend to be full-frontal, her compositions grid-like, her aesthetic vaguely decorative.
What she subtracts from her vocal expression, she loads into her compositions.
Mr. Weston complimented her compositions, but firmly suggested she jettison her style.
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