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Still, his road trip through hell has a sobering effect.
As this confusion of terms suggests, the idea of hell has a complex history, reflecting changing attitudes toward death and judgment, sin and salvation, and crime and punishment.
This is even more acute if one believes in Hell: Either the soul in hell has a memory of an earlier life — a life misspent — or it has not.
Sara (Esti Ginzburg), the resident beauty among these overprivileged preppies on the road to hell, has a self-revelatory moment or two; her dream is that her 18th-birthday party be written up on "Page Six".
At a time when horror is defined by limp Japanese retreads or punishing exercises in pure sadism, "Drag Me to Hell" has a tonic playfulness that's unabashedly retro, an indulgent return to Mr. Raimi's goofy, gooey roots.
"At a time when horror is defined by limp Japanese retreads or punishing exercises in pure sadism, 'Drag Me to Hell' has a tonic playfulness that's unabashedly retro," Jeannette Catsoulis wrote in The New York Times in May.
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Hell has an abundance of long lineups, paper cuts, undercooked pork, Wayans Brothers movies, and Florida Panthers games.
Hel – the snarky, vengeful teenage queen of, well, hell – had a big cameo.
But in the mid-20th century, as the mainstream churches secularized, Orwell's quip that hell had a Catholic brand name didn't seem far off the mark.
"The ones that said 'Matt in Hell' had a picture of Matthew on them," recalls Patterson, now a media manager for the Gay and Lesbian Alliance Against Defamation.
Handy when trying to tell your friends you're on a cruise from hell, have a contagious disease and haven't showered in several weeks.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com