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Hieronymus Bosch painted Hell as a riot of mutations — a sick parody of the natural order.
Others, though, argue for a Universalist view of hell as a temporary, cleansing sort of stopover.
Acrassicauda had been through hell as a rock band in wartime Baghdad.
The Dutch city of 's-Hertogenbosch is as unlike Hell as a place could be.
Theologically, even the Vatican now defines Hell as a state of exile from the love of God.
The paper, finished last weekend, examines Dante's vision of Hell as a real place, not unlike the faculty lounge.
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So off I went, flute and sheet music in hand, ready to give 'em hell (as much as an amateur flautist might hope to give anyone hell!).
Hell, as Sartre pointed out after a particularly trying evening at the theatre, is other people.
More important, my faith in Hell as an exciting place where anything can happen has been restored.
It appeals to Hollywood self-pity; the drummer goes through a masochistic hell as an underling and finally gets ahead as a defiant noisemaker.
Many English translations of the Bible use hell as an English equivalent of the Hebrew terms Sheʾōl (or Sheol) and Gehinnom, or Gehenna (Hebrew: gê-hinnōm).
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com