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The difficulties players have hearing one another on the Avery Fisher Hall stage, where musicians have long complained about the acoustics, make such adjustments especially challenging.
Musicians may have trouble hearing one another even when they are playing on the same stage, not to mention when they are separated by thousands of miles.
The 17 orchestra players had trouble hearing one another; ditto the cast.
Surrounding the quartet's six concise movements are interludes in which the individual players seem to be practicing short phrases without hearing one another and seemingly without counting.
We are now seeing and hearing one another faster and better, but with no corresponding improvement in our ability to learn from, or understand, one another.
"The only real solution is the time-honored, time-consuming task of listening and hearing one another," says Dyer, who is also executive director of MIT Sloan's Good Companies, Good Jobs Initiative.
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When they're on stage, the musicians can't actually hear one another properly.
By tilting the panels into custom configurations based on the orchestra design, the musicians can hear one another and stay in sync.
It's hard for the players to hear one another in such circumstances; so all the work on balances and phrasing in indoor rehearsals gets thrown off.
They heard me, we heard one another.
Being in the same section, they could hear one another.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com