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I'm still not sure whether Anglo-Saxon was a heard melody for me or an unheard one, a music I imagined for myself.
A few seconds later, when Ms. Davis came closer to her, Melody raised her hand to get the teacher's attention, and Jiyeon, who had heard Melody say, "I will do, too," made eye contact with Ms. Davis and pointed her fingers at Melody to help Melody's intention be noticed by the teacher.
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Or, as her third husband put it in his Keatsian mode, heard melodies are sweet, but those unheard are sweeter.
Yet he trusted his inner ear, holding to Keats's words, "Heard melodies are sweet, but those unheard are sweeter".
Those much-quoted words from Keats start to make new sense: "Heard melodies are sweet, but those unheard are sweeter".
And how, in this context, could a composer resist: "Heard melodies are sweet, but those unheard are sweeter".
Paddy, getting the gist of it, quoted poetry in an ironic voice: " 'Heard melodies are sweet, but those unheard are sweeter.' " "Signor Keats, I do believe," Nigel said.
A more complex form is found in line 11 ("Heard melodies are sweet, but those unheard") with the "ea" of "Heard" connecting to the "ea" of "unheard", the "o" of "melodies" connecting to the "o" of "those" and the "u" of "but" connecting to the "u" of "unheard".
"You will hear melody," he said.
What I want to do is find a way of hearing melody like harmony, as the continuation of harmony.
You could hear melody and actually get a sense of his range, and it was beautiful.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com