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He is drawn to the monumental.
And even he is drawn back in.
He is drawn to oblivion.
He is drawn to Jane.
But he is drawn to them.
He is drawing it towards him.
He is drawn to nonsystems; he's also drawn to the noneasy.
He is drawn to anything natural: children, gardens, parks, animals.
Inevitably, he is drawn into Czechoslovakia's political unrest.
He is drawing attention away from himself and his team.
But even he is drawing a line in the sand.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com