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He illustrated a limited edition of Washington Irving's Rip Van Winkle (1905), which made him known in America as well.
And nearly 20 years ago, he illustrated a new edition of Melville's novel from 1852, "Pierre, or The Ambiguities".
Holbein painted several portraits of the great man; before this, he illustrated a copy of Praise Of Folly.
He illustrated a Don Quixote and an Arabian Nights, both in 1899, and in 1900 he illustrated an edition of the poems of Edgar Allan Poe.
In 1916 he sold his first cover to The Saturday Evening Post, for which in the next 47 years he illustrated a total of 322 magazine covers.
With Shaykh-zādeh, a pupil of Behzād, he illustrated a Divān of Ḥāfiz and a Divān of the Turkish poet Mīr ʿAlī Shīr Navāʿī in 1526 and 1527.
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In 1884 he illustrated an edition of The Rubáiyát of Omar Khayyám, a work well suited to his imaginative style.
In York, he illustrated an obstetrician's text, ordering a grave to be robbed so that he might study the uterus of a woman who had recently died in childbirth.
The Minotaur became a fixture in a series of etchings made from 1930-1937 known as the Vollard Suite, and in the same period he illustrated an edition of Ovid's Metamorphoses.
He illustrates a variety of books, but specializes in Puerto Rican folk tales.
"He illustrates a new breed of big-city mayor, more centrist and pro-business".
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com